The phenomenal success of Nous irons à Paris (it attracted an audience of almost six million in France) suggests that it had latched onto the Zeitgeist, and in doing so reveals something about the psyche of the French nation at the start of the first decade after WWII, the dawn of a new era. A lively musical comedy, very much in the American mould but with an unmistakable Galli... (展开全部)