Surgery is the new sex, 18th-century style. In David Cronenberg’s wry, surrealist miniature, four anatomical female wax models—taken from the collection of Florence’s 250-year-old science museum La Specola—lie in uncanny repose as the camera dreamily caresses their detachable organs, exposed body cavities, and glossy ceroplastic flesh. Under the director’s inimitable gaze, obje...
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