An unhinged dumpling chef and her lover race against time (and debt collectors) in this unforgettably gross and hilariously over-the-top satire of Sydney foodie culture.
Landing somewhere between the splatter of Takashi Miike (the Mole Song trilogy, MIFF 2014, 2017 & 2022) and the wacky absurdism of Everything Everywhere All at Once, this madly exaggerated slice of satire from ...
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